In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.

In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.

In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.

In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.

In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.

LÍNEA DISCONTINUA BLACK III LÍNEA DISCONTINUA BLACK IV “G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces. Chromatic synthesis is a determining…

LÍNEA DISCONTINUA III LÍNEA DISCONTINUA IV “G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces. Chromatic synthesis is a determining element to…

LÍNEA DESCENDENTE I LÍNEA DESCENDENTE II “G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces. Chromatic synthesis is a determining element to…

LÍNEA DESCENDENTE (Black) I LÍNEA DESCENDENTE (Black) II “G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces. Chromatic synthesis is a determining…

“G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces. Chromatic synthesis is a determining element to achieve a certain rock depth.

“G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces. Chromatic synthesis is a determining element to achieve a certain rock depth.

MOLÉCULA I MOLÉCULA II This series has been approached as if they were drawings made in Nature, which must be done urgently, trying to capture their essence in a short period of time. Gouaches, collages, urgent lines, make up a common territory enabled for emotions.…