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I am a seeker of purpose and if there is one that I refer to as inexhaustible, it is that of the vegetation world, the organic, Nature in short. When I get into this theme, I feel in a territory of freedom where I can…
I am a seeker of purpose and if there is one that I refer to as inexhaustible, it is that of the vegetation world, the organic, Nature in short. When I get into this theme, I feel in a territory of freedom where I can…
I am a seeker of purpose and if there is one that I refer to as inexhaustible, it is that of the vegetation world, the organic, Nature in short. When I get into this theme, I feel in a territory of freedom where I can…
I am a seeker of purpose and if there is one that I refer to as inexhaustible, it is that of the vegetation world, the organic, Nature in short. When I get into this theme, I feel in a territory of freedom where I can…
I am a seeker of purpose and if there is one that I refer to as inexhaustible, it is that of the vegetation world, the organic, Nature in short. When I get into this theme, I feel in a territory of freedom where I can…
I am a seeker of purpose and if there is one that I refer to as inexhaustible, it is that of the vegetation world, the organic, Nature in short. When I get into this theme, I feel in a territory of freedom where I can…
In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.
In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.
In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.
In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.
In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.
LÍNEA DISCONTINUA BLACK III LÍNEA DISCONTINUA BLACK IV “G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces. Chromatic synthesis is a determining…