“G” is a resounding and overwhelming series, due to its viscerality and primitivism in its execution and in its uncompromising concept. They are tears, grooves, that emulate intuitive journeys as existential traces.
Chromatic synthesis is a determining element to achieve a certain rock depth.
In developing my pictorial career, I have approached human figuration from different perspectives. What they have in common is a motivation to capture the essence of the individual, either by understanding the individual as a container of emotions or as an anthropological entity.
“OBJECT” series is inspired by shapes and elements that interest me; I suppose I feel recognized in some of them. There can be many reasons for this: like their poetic content, their concepts, or so. For all this, I keep them in mind when it…
